
Sent to find a missing billionaire on a remote island, you find yourself in a cannibal-infested hellscape. Craft, build, and struggle to survive, alone or with friends, in this terrifying new open-world survival horror simulator.
Modeled estimate, not a reported figure. How we estimate →
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About
Genres
Stats
All-time low is the lowest price we've recorded for this game since we started tracking it.
Languages: English*, French, Italian, German, Spanish - Spain, Czech, Finnish, Japanese, Korean, Polish, Portuguese - Brazil, Russian +4 more
Updates
Build ids and update times come straight from Steam's PICS — the same source SteamDB reads. Patch history grows as we record new builds.
Engagement
Hours played at review time, across 819 reviews with recorded playtime.
Reviews
Themes across 818 recent reviews and how positive each mention is. A keyword signal, not full sentiment analysis.
positive critical· bar length = how often the theme comes up
Reviews
very fun!
NB
FUN GAME
adsdasadsadsas
najlepsza survivalowa gra
Синочки лісу покращили формулу оргіналу і зроби ВСЕ кращим графіку будівництво і інші елементи а ще додали вогнепальну зброю що як на мене спростило геймплей проте це не погано ця гра неймовірна і 10 з 10 всі ігри виживачи такого типу мають рівнятися на синочків.
Absoluto cine...
그래서 얘네 숲에 뭐하러 온거임?
the local life is quite nice on this island im sure that rich guy is on vacation we worry too much
jogo muito bom e interessante, porém acho que por ser da franquia de the forest poderia ter sido mais bem trabalhado, eles tinham dinheiro pra isso, mas enfim não deixa de ser um jogaço
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Trends
Modeled estimate over time, reconstructed from Steam's monthly review histogram.
Engagement
DAU/MAU are modeled from peak concurrent players (≈×8 and ×28) — Steam publishes no active-user counts, so treat these as rough estimates, not reported figures.
Audience
Audience
Estimated from the language of this game's reviews — a proxy for where players are, not official Steam demographics.
Games most often reviewed by the same players — an audience-affinity signal from our review sample, not full ownership data.
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