
“You were only trying to do the right thing—so why is everything falling apart?” A Japanese language teacher’s choices to save three girls who have stopped attending school will change their fates. A psychological horror visual novel with 16 endings.
Modeled estimate, not a reported figure. How we estimate →
About
You are a Japanese language teacher.
One day, concerned about a student who has stopped coming to school, you decide to visit her at home.
What awaits you there are girls crying out for help—and a reality that cannot be saved by good intentions alone.
Choose your words. Choose your distance. Choose their futures.
Will your kindness save these girls?
Or will it become another cage?
Three girls. Sixteen endings.
Spring at Dawn, I Am a Monster. is a multi-route psychological horror visual novel about a teacher and three girls who have stopped attending school.
There are no knives.
Only human nature.
Dependency. Obsession. Family problems. Loneliness.
Nanatsu Kokorome, Nyako Maigo, and Ajimi Konoha.
Each girl carries different circumstances—and secrets she cannot tell anyone.
What will you say to them? How far will you step into their lives?
Your choices as their teacher will change your relationship with each girl.
Each girl has five different endings.
After witnessing all 15 of their endings, one final story awaits:
The Teacher Route.
After trying so hard to save these girls,
who—or what—was the teacher all along?
The right words and the right distance do not always save someone.
Helping them. Watching over them. Walking away.
Being needed.
Even when you believe you’ve made the “right” choice,
something may slowly begin to break.
Rather than relying on sudden loud noises or jump scares, the horror slowly closes in through conversations, silence, expressions, and changing relationships.
“Spring, at dawn—”
A monochrome world accented with red.
Beautiful spring scenery.
And within it, a growing sense that something is terribly wrong.
Experience a beautiful yet unsettling story of spring.
Three original theme songs, each created to accompany the story of one of the girls.
“Gomen nasai, Gomen nasai”
Vocal: Nanahira
Lyrics: Kaoru Nekofuji
Composition & Arrangement: TAKASUKE
“AZULAMENT”
Vocal: Gurutan
Lyrics: Kaoru Nekofuji
Composition & Arrangement: TAKASUKE / Takenori Shibayama (OplaSync)
“Ao ni Kei, Fuyu wa Itomete”
Vocal: Naozumi Takahashi
Lyrics: Kaoru Nekofuji
Composition & Arrangement: TAKASUKE
We welcome gameplay videos and livestreams of the game.
You may stream or upload videos covering all 15 endings of the three main character routes.
However, streaming, uploading videos, or otherwise publicly showing Ending 16: “The Teacher Route,” which is unlocked after completing all other endings, is prohibited.
Please include a link to the game’s Steam store page in the description of your video or livestream.
If your content contains spoilers, please provide an appropriate spoiler warning in the title or description.
Please do not redistribute the game’s images, music, or video content separately from gameplay.
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Reviews
Themes across 84 recent reviews and how positive each mention is. A keyword signal, not full sentiment analysis.
Reviews
还行
俺はtrueエンドを見たらそのキャラのほかのルートはやらない人間 あじみのエンドはコンプした した後泣いた いいノベルゲー
秒吃。。。但是流程有点太短了对于33来说不是很值【另外有一些插图像ai
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Languages: English, Simplified Chinese, Traditional Chinese, Japanese, Korean
Hours played at review time, across 84 reviews with recorded playtime.
positive critical· bar length = how often the theme comes up
すべての実績をアンロックしてクリアしました! 今回のCHARONさんの作品では自分の名前を入力できるのでいつも以上に没入感が増して最高でした! 自分の名前を3人の少女がテキスト上で読んでくれるだけでも新鮮で良かったです! 個人的に一番刺さったのはのはななつルートでした(True EndとBad Endの一つに好きな展開があったので…) ED(ごめんなさい、ごめんなさい)の歌詞と歌声もななつちゃんの物語に合っていて本当に良かったです! [spoiler]今回は登場人物が小学生という理由で直接的な流血や暴力表現は少なかったが故だとは思いますが、 ななつちゃんがこちらに対しては暴力を振るわなかったのも大好きなポイントの一つだったので最高でした! そのうえで(春はあけぼの、我はバケモノ)の部分もななつちゃんのルートで感じられて嬉しかったです! 今日のはるあけ制作話を読んで最初作ろうとしたものとはテーマが間逆なのを知りました… CHARONさんの作品で少女たちが救われるENDがあるのはある意味新鮮で本当に素晴らしかったし、 全てのゲームをプレイしてる訳ではないですが歴代作品の中でもななつちゃんが一番好きになりました! 個人的にななつちゃんのルートは本当に完璧で追加要素や続編が今後なくても良いと思えるくらい好きです![/spoiler] 春はあけぼの、我はバケモノを作ってくださり本当にありがとうございました! これからも永遠に応援しています!
Interesting game! This game is quite the lenghty one to convey stories that not necessarily require the amount of time poured into it. I'd like to go through each route in the same order I completed them: Nanatsu: I began with Nana's route because from the trailers, it was the one that interested me the most. However, it was somehow pitiful to see that this story is the one who is most dissonant from the game's proposal and overall story. Ajimi: Had potential, but flatlined during the inbetweens of understanding who Ajimi was trying to be and who she really is. Her rich enviroment contrasted quite largely with Nana and Nya's routes, to the point it felt almost like a tantrum rather than an intricate story. Nyako: By far the best route, the one that actually was best scripted in a way that truly pulls the heartstrings from the player. Nyako's conflict felt more "easy" to connect, in a way that it felt real, and the choices along with it were worth chasing every ending. Teacher: Great message within the teacher route, however it would be preferable to condense this message in a shorter way. I would hope in future games from Charon that the dialogues can be more evenly timed. My biggest complaint about the game was in regards on how long it takes for some dialogues to be continued, to the point I found myself several times disconnected from the narrative despite a tense or impactful scene taking place.
不推荐这游戏,打折入都不合适。三条线只有猫耳少女算是合格还是勉强的,其他两个完全是强行凑数的,特别是第二个简直是三观炸裂而且也完全没有结果。游戏也存在些许标题欺诈。在尊重作者的情况下我只能说:老实写那些病娇故事就可以了,别想一些有的没的,毕竟我只是来玩游戏的。
喵子线做的真的很棒,如果是从左到右玩的话还能吃个糖缓一缓,先玩喵子真的会把对整个游戏的期望拉高......亚美线很奇怪敷衍,奈奈线倒是纯粹的绝望和恶意,主角的道德水准简直高的吓人......老师线也有些不对,虽然精神值得赞扬,但是如果想要传达这个思想,又为什么不让别人宣传呢? 另外的优点是游玩时间没到两个小时...... 我真想给作者打赏1/3这个游戏价格的钱,就当养猫了()
欸?唯一的槽点就是 ai 做画和剧情短,人物塑造一般不是很饱满,感觉没有那么不堪,也可能是我没吃过什么细糠吧~,个人感觉还不错,那个奈奈线真的是一坨,三个女主的 mv音乐是真的顶啊!
テストプレイヤーを担当させていただきました。ありがとうございます。以下は私個人の感想となります。 1周2時間程度で読み終えました。 昨今の激しい表現規制によって、ちょっとしたグロテスクな表現があるだけで発売できなくなる中、ギリギリのラインを攻めた作品だと思います。 作品を読んでいて、規制がなければもっとこうしたかった、という作者様の心の声が聞こえる場面がいくつもありました。 また、子ども特有の背伸びしようとしている性格がよく表されていて、ただ単に綺麗な纏め方をしていないのも好感が持てました。 イラスト、BGM、主題歌はとても良い出来だと思いました。ボリュームは控えめですが、そこは読者の受け取り方や想像力で膨らむと思います。
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