Hashtag Dungeon
Hashtag Dungeon is a dungeon crawler with roguelike elements that uses Twitter as its method of dungeon generation! Create dungeons yourself using our built-in dungeon editor and tweet your levels to the world, or venture through levels created by other players.
Estimated lifetime revenueLow confidence
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Modeled estimate, not a reported figure. How we estimate →
Est. copies sold
233
mid estimate
Reviews
6
Review score
50%
5.0/10
Playing now
0
live
Media
Screenshots & trailer
About
About the game
Something evil is stirring in the depths of the world. The great sigils that once protected this land are failing, and the legendary Hashtag Dungeons are reopening. Will you be brave enough to enter the dungeons and face the horrors that lie within? Or will you join the dark forces yourself and become an expert Dungeon Master?
Hashtag Dungeon is an experimental game designed to assess how a game might use Twitter to store levels. It was originally developed as part of a third year dissertation at The University of Lincoln. We would like to thank Dr Patrick Dickinson, Dr Ben Kirman, Dr Kathrin Gerling, Dr John Shearer and Dr Oliver Szymanezyk for their support during the lengthy development process. We would also like to thank Robin French for her work on the Steam trading cards, Barney Oram for his sound design, Alex Saye for his work on several enemies, and Liz Rainsberry for her musical talents.
Features
- Challenging gameplay reminiscent of the classic Legend of Zelda and The Binding of Isaac. Will you be able to overcome the devilish traps, monsters and challenges that await?
- Creative collaboration is key: every dungeon in the game is made by players and published to Twitter. Everyone can add rooms, enemies, traps and treasures to dungeons with the help of our in-game ‘Dungeon Master’ editor.
- Six characters to unlock and play as, each with their own unique gameplay and tactics: The Magician, The Paladin, The Blood Mage, The Ninja, The Huntress and The Robot!
Acknowledgements
Hashtag Dungeon is an experimental game designed to assess how a game might use Twitter to store levels. It was originally developed as part of a third year dissertation at The University of Lincoln. We would like to thank Dr Patrick Dickinson, Dr Ben Kirman, Dr Kathrin Gerling, Dr John Shearer and Dr Oliver Szymanezyk for their support during the lengthy development process. We would also like to thank Robin French for her work on the Steam trading cards, Barney Oram for his sound design, Alex Saye for his work on several enemies, and Liz Rainsberry for her musical talents.