The Witch's Warehouse Management

Chill game for chill people. Would love to support new game too! Looking forward to it.

you'd expect the porn to be in the game

Gameplay is adequate; puzzles are engaging enough. There is an issue where the H scenes don't show during gameplay, and can only be viewed from the main menu. You can unlock all content in about 30 mins. This needed a few things; obviously, not showing scenes in gameplay is a bug, which needs to be fixed. It also needed a player motivation in relation to the H scenes, for example: players "lose" if they are violated during gameplay; and the level is reset. Levels are made more difficult by "damage" tiles (which exist currently), if player steps on the wrong kinds, accidentally, they lose (and get an enjoyable H scene). The current system is simply, if you complete a level after stepping on all the red tiles, you'll get an H scene. It's not even something you really think about, or that affects gameplay. There's no reason to avoid or target them really. Game is half-baked but could have been great with another month or two of developer time. The systems are all in place to do this, too. Baffling.

Les énigmes ne sont pas mauvaise mais le jeu est très cours, vaut pas son prix

游戏名字叫女巫的仓库管理( 无中文，全游戏流程一小时。主要玩法是推箱子，需要在场地内将箱子推送到指定位置，全部完成即可。 游戏的主要内容，女巫生意惨淡，来了商人让她去打扫仓库，她同意了。在仓库内整理途中遇到了各种陷阱，回家以后陷入了某种状态，疯狂安抚自己，到后面彻底堕落。 游戏表现形式为，在推箱子过程中踩中陷阱就会进入状态。共有六种不同服饰，都有暴露状态)。每套都会在对应关卡踩中陷阱解锁。某些关卡通关后，就会有新的动画。动画可以在游戏主界面观看，六个简短不同姿势的小动画。作为像素风瑟瑟游戏，还算是中规中矩。 我看到有人说只能通过主界面的按钮观看是bug，我想可能不是，又或者是之前修过了？文中显示"被xx了"遮上了帘幕，估计是必须要到外面看的。步兵，动态动画。 游戏的玩法是推箱子，32关。配合着音乐也算是挺有趣的小游戏。在触发陷阱时，音乐也会变得缓慢，非常有细节。32关每一关难度不同，总体是简单的，真让我印象深刻的可能就2-3关，让我重复次数多的寥寥无几。基本上来个三四遍或者第一遍就结束了，并没有太大难度。 此外游戏的"故事"的动画也挺有意思 这样简单的游戏，加上动画以及瑟瑟内容，算是较为精致的了。说实话不需要中文也是可以玩的，但是没剧情也会显得单调，这个问题得不到解决呀，一小时的内容非常容易轻松通关就是了。 [quote]关注「[url=https://steamcommunity.com/groups/45531088] 鸢尾花 [/url]」[/quote] [u][b] 致那一朵未至鸢尾花 [/b][/u]

本作是一款由maruhani制作，Shady Corner Games发行的成人向益智解谜类题材游戏，锁国区无中文，无需安装布丁即可享受全内容。游戏无中文方面使得剧情体验不佳，倘若是英语好的小伙伴可以啃生肉，英语不好的可以使用免费unity翻译工具会有更好的游玩体验。 游戏剧情方面着墨不多，开场和结尾才有剧情内容，中间的关卡中没有，整体剧情演绎较单薄，讲的是女主玛霍是一位天资聪慧但缺乏商业头脑的巫师，无聊使其决定接受一份仓库管理的工作邀请。 玩法方面是经典的推箱子玩法+变装+涩涩露出，有32个关卡，每关任务都是要把黄色箱子推到特定的黄色格子上，卡关可以按R键重新挑战，整体挑战解密难度适中，一般卡关后重新挑战几次找到诀窍后就能快速通过。 有6个像素风动态CG和14个动态立绘展示，每个都需要在关卡中解锁，整体CG质量中等，有换装要素。通关时间较短，推荐喜欢推箱子的玩家入手体验。 [quote] 关注[url=https://store.steampowered.com/curator/44791929/]游戏好声音[/url]，认真品味好游戏，倾听游戏好声音。 [/quote]

推箱子小黃油 很多關給的推箱子空間幾乎都很大 所以很簡單 少數幾關要想一下

Easy game easy to draw. It takes 20 minutes to all clear.

The Witch’s Warehouse Management is a small indie puzzle game developed by maruhani and published by Shady Corner Games that revolves around classic crate-pushing puzzle mechanics wrapped in a light fantasy setting. The game introduces players to Maho, a young witch whose magical shop has become painfully quiet due to a lack of customers. Hoping to break the monotony and earn some extra coin, she takes on a temporary job managing a mysterious warehouse filled with magical goods. What begins as a simple task quickly turns into a series of logic puzzles where the player must organize crates and enchanted items across increasingly complex warehouse layouts. The narrative component of the game is intentionally simple and primarily acts as a framework for the puzzles. Short scenes and bits of dialogue establish Maho’s personality and explain how she ends up working in the warehouse, but the story rarely interrupts the gameplay for long. Instead, it serves as a charming backdrop that gives context to the tasks players are performing. By framing the puzzles as part of Maho’s daily work organizing magical supplies, the game creates a playful atmosphere that fits well with its fantasy theme. At the heart of the experience lies the gameplay, which closely follows the traditional Sokoban puzzle formula. Each level places Maho inside a confined warehouse space filled with crates and obstacles. The objective is to push every crate onto designated tiles that represent the correct storage spots. While the mechanics sound simple, the challenge comes from the strict movement rules: crates can only be pushed, not pulled. This means that a single careless move can push a crate into a corner or block access to another crate, making the puzzle impossible to complete without restarting the level. This limitation forces players to think carefully about every step they take. Successful puzzle solving requires planning several moves in advance and considering how each crate will affect the layout of the room. Early levels act as tutorials that introduce players to the basic movement rules and spatial logic required to complete the puzzles. As players progress further into the warehouse, the puzzles become more complex, introducing tighter corridors, additional crates, and layouts that require more careful planning. Although the game does not drastically alter the core mechanics, later levels manage to create satisfying challenges by combining obstacles and crate placements in clever ways. Some puzzles require players to move crates in a precise order so that none of them become trapped. The satisfaction of solving these stages comes from gradually understanding the puzzle’s structure and discovering the exact sequence of moves required to complete it. The game contains a total of thirty-two puzzle stages, which gives players a short but focused puzzle campaign. The overall length of the experience depends largely on the player’s familiarity with Sokoban-style puzzles, but most players will likely complete the entire set of stages within a couple of hours. While this limited scope means the game may feel brief, the puzzles themselves are generally well designed and offer a satisfying mental challenge during the time they last. In addition to the puzzle-solving aspect, the game includes small collectible elements that add a bit of extra motivation. Certain tiles within the puzzles trigger cosmetic rewards such as costume changes or character animations. These unlockables can later be viewed in a gallery, encouraging players to explore each stage carefully rather than simply rushing to the exit. Although these rewards do not affect gameplay directly, they provide a sense of progression and completion. Visually, The Witch’s Warehouse Management uses a colorful pixel art style that complements its lighthearted fantasy setting. The character sprites are expressive despite their small size, and Maho herself is animated with playful movements that give her personality. The warehouse environments are simple but clearly designed, ensuring that crates, walls, and goal tiles are easy to identify during puzzle solving. This clarity is essential for a game built around spatial reasoning, and the pixel art approach keeps the visuals clean and readable. The sound design follows a similarly modest approach. Background music plays softly during puzzle stages, creating a calm and relaxed atmosphere while players focus on solving each challenge. Sound effects accompany actions such as pushing crates or completing a level, providing satisfying feedback when progress is made. While the audio presentation is not particularly elaborate, it complements the game’s cozy tone without becoming distracting. Despite its charm, the game does have a few limitations that may affect some players. The most obvious issue is its short length. With only thirty-two stages and a consistent gameplay formula, the entire experience can feel quite brief, especially for players who are experienced with Sokoban puzzles. Additionally, the mechanics remain largely unchanged throughout the game, meaning that players who prefer puzzle games that introduce new systems or variations may find the experience somewhat repetitive. Another minor drawback involves the handling of mistakes. When a crate is accidentally pushed into an unwinnable position, restarting the puzzle can sometimes interrupt the flow of gameplay. A more convenient undo or restart feature could have made experimentation easier, particularly in later levels where players may need to test different strategies. Even with these shortcomings, The Witch’s Warehouse Management remains an enjoyable puzzle experience. Its combination of classic Sokoban mechanics, charming pixel art, and light narrative elements creates a relaxed and approachable game that puzzle fans can appreciate. The puzzles are thoughtfully designed and provide satisfying moments of realization when the correct solution finally becomes clear. Overall, The Witch’s Warehouse Management is a compact but well-crafted puzzle game that successfully captures the appeal of traditional crate-pushing challenges while adding a whimsical fantasy theme. Although its limited content and lack of mechanical variety prevent it from becoming a long-lasting experience, the game still delivers a series of clever puzzles wrapped in a charming presentation. For players who enjoy logic puzzles and retro-style visuals, it offers a pleasant and mentally engaging adventure through a magical warehouse. Rating: 6/10

倉庫番類型的瑟瑟小遊戲，售價便宜，喜歡這類玩法的推薦折扣時購入。 關卡數量共計32關，整體難度中等，開頭有一些小劇情。 解謎中可無限重新開始，但無法跳關，也沒有任何提示較可惜。 部分關卡中有一些機關，觸發後小女巫就會換裝，包含穿脫差分。 瑟瑟為粗像素(所以算騎兵?)，無(免)布丁，有回想模式，無法急用。 回想模式內有衣裝穿脫及另外的短動圖，搭配音效整體實用度低，純歡樂附加。