Karaski: What Goes Up...

GAME UNPLAYABLE Game say always that it has no steam connection on the main window...

This is good this is game this is good game

I was totally engrossed by this game. It's one of those that really gets at what I like about indies. As I was poking around about it, I saw that the dev considered it a commercial failure, which is really such a shame. Happily they've continued to release games in the years since, but this deserved a much better reception than it seems to have gotten. It was unique, ambitious, and well-written; it was impressively complete for such an ambitious indie game, IMO. Karaski is set in a kind of fictionalized USSR on the verge of balkanization. You and a smattering of other people are on the maiden voyage of an airship whose creation is hugely politicized. When it becomes clear the dirigible has been sabotaged, you have to try to suss out which of the many different political factions is responsible, and who onboard is trying to get everyone killed. The game starts with you, Player Character, waking up in a closet on the middeck of the ship; you walk down the hallway to find that some kind of explosion has happened in one of the control rooms, killing an employee. In a panic, you try to escape, and as you do end up talking over a radio to someone who seems to think you're an 'agent' there to investigate the sabotage and stop a tragedy from unfolding. The sheer amount of ways you could go about the investigation was really impressive. Every dialogue choice affects a constellation of relationships, as does your performance in the stealth areas of the ship (there's also robust accessibility options for those who dislike stealth gameplay). There are multiple ways to approach everything and completing a plotline doesn't necessarily mean choosing the schmooziest options. The game also keeps very meticulous track of who you've talked to and where you are on each of the main characters' plots, as well as the important items and documents you've found, which I appreciated a lot. It was just really well-written and well-put-together, definitely heads above a lot of the other more uptaken games in the genre, which kind of sucks. There were a few things I didn't like -- the  weird metafiction (that seems to also be a Pathologic reference?) was superfluous and went less than nowhere; IMO it actively detracted from the experience of making choices and deductions. I almost wonder if the dev was having issues with people 'getting it' and felt like he had to add this in, because it doesn't fit in with anything else about the game and was a really big distraction from the more meaty things it was trying to say. Two, I really wish the badge got you free reign in the lower levels. You get it so lategame that it feels like it should be a way for you to clean up little bits and go in every nook and cranny, but it basically doesn't do anything helpful -- at the stage where I got it, the rep hits didn't matter, I just needed to be able to find some hidden stuff. It's weird, it's this item that's framed as super strong but ends up being a letdown. I want to muse about the end a little: [spoiler] So the game is set up so that there's no 'true' ending. Pretty much everyone has a motive, and the game refuses to commit. While I'm not normally a fan of this kind of setup, I liked it here for two reasons: 1) I think the game earned it by just setting up all the characters and the complexity of the political situation really well and 2)... So as the PC, you never really know who you are. You try to tell the mysterious radio voice you're not the agent they think you are, but they don't really listen (or care), and at several points it's implied you're making up your own backstory. Some people seem to remember you from other times/places, but it's not clear if they're mistaken or not. And then there's you waking up down the hall from where the sabotage happened. All of the suspect passengers have 'secret luggage' you can find. And across the board, if you complete their plotline, you find... they're not as sinister as you thought. Their caginess and secrecy is more about personal issue and how they see themselves, and less about the machinations of politics. The evidence isn't exonerating in a logical sense, but it certainly feels that way in an emotional one. The end result, for me, is that the only person who really makes any sense as the saboteur is you. To me this feels canonical in a way I'm not sure it's intended to be, but as you uncover more and more about the other people it just becomes clear how suspicious and cold you are. And I think this is the best capstone to the story as well. In a game about the complexities of political awareness and activism, putting the onus on the player to take responsibility feels pretty powerful? I'm not sure if this was an intentional writing choice, to make this ending feel the most 'real', or if it's just a quirk of how I navigated the story, but I really like it and it definitely was one of the reasons I thought the ending worked.[/spoiler]

A smart looking and sleek mystery adventure first person game set in an interesting alternative timeline that employs Airships. Explore and piece together the puzzle by talking with many interesting characters. Several play styles - sneaking, finding hidden passages, and so on. Worth your time!

Karaski is a "mystery" game that substitutes having actual substance with a bunch of vague clues and suggestions. The illusion is so shallow it can't even last one playthrough: in about 2 hours you'll be able to collect incriminating evidence on all 4 suspects, maybe even get a hint that their presence on the airship was organized by some higher power and that they're all fall guys, only to then be forced to pick one and only one of them. If you spend more time digging deeper, you'll find out that you don't actually need any evidence, you can go in empty-handed and no matter who you accuse or what dialogue options you pick your accusation will always go through, and that the "higher power" mentioned previously isn't something you can expose for a secret true ending but yet more smoke and mirrors. Now, I know that a mystery doesn't have to answer every last question and explain every last detail, but when every possibility is as equally valid as any other the result is that none of them matter.

It's another one of those games that makes you wish there was a "neutral" option for reviews. I have to admit that I rather enjoyed my first run of the game. The mystery felt intriguing, the gameplay smooth enough to not bother me much, and it was satisfying to explore the ship and overcome the obstacles in what felt like my own unique way. Unfortunately, that fascination didn't last long. The story doesn't have a satisfying ending, asking you to come up with your own conclusion which could've worked, I guess, but in this case just felt lazy, several of the design choices and mechanics started to grate after a few hours of playing, and of course having to work around the bugs made the experience even more tiresome. That might just be me nitpicking, of course. What got to me the most though was that [spoiler] none of your choices and exploration matter in the end. You can blame whomever you want without having to learn anything about them.[/spoiler] For a story-driven game that was not something I could accept. I've seen this game compared to Consortium and while it has it's own share of questionable moments I'd still recommend it over this one. But if you're satisfied with making up your own story and don't mind filling in the blanks then, sure, give this one a try as well.

Pretty decent indie immersive sim. I don't usually leave reviews but I think this game deserves more attention. There was one annoying bug where guard NPCs would be stuck behind doors or objects, making sneaking past them, according to their patrol route, impossible. Not a huge deal, since you can in theory run away and you're not penalised too heavily for getting caught. Also I couldn't find the tool to open vents, so I didn't manage to complete all the objectives/explore every area. It's a pretty short game, but fun, recommended for a light delve into a cute universe.

Karaski: What Goes Up... is an interesting experiment in the nature of interactive storytelling. The gameplay isn't particularly difficult, though there is an option to make it harder if that's important to you. Gameplay consists mostly of sneaking around restricted areas of the airship you're on in order to solve the mystery of who has sabotaged it. The mystery itself is the primary driver of the game though, with the big payoff coming when you realize just how player-driven the whole affair really is. Karaski: What Goes Up... is an art piece. You'll probably only play it a few times, but I bet you'll think about it a lot more than that. Definitely earns a recommendation from me.

Στα [+] • H ενδιαφέρουσα εκκίνηση τού παιχνιδιού. • Οι μεγάλες εκτάσεις κίνησης καί τό λιτό, πολύχρωμο περιβάλλον τού αερόστατου. • Η ένταση πού προκύπτει από τήν ανάγκη νά κινείσαι σέ χώρους απαγορευμένους, χωρίς νά γίνεσαι τσακωτός από τούς φύλακες. Στα [-] • Η υπερβολικά καθοδηγούμενη δράση εξαφανίζει τόν κάθε προβληματισμό πού μπορεί νά δημιουργήσει η εξέλιξη τής ιστορίας. • Φλύαροι καί κουραστικοί διάλογοι πού προσποιούνται ότι κάτι έχουν νά πούν, ενώ στήν πραγματικότητα δέν έχουν καμιά σημασία. Συνοψίζοντας • Μιά αστυνομική ιστορία στύλ Agatha Christie, σ' ένα Titanic: Adventure Out Of Time σκηνικό, μ' ένα The Last Express σενάριο καί μέ τύπου stealth γρίφους. Τελικά όμως, τό μόνο πού επικρατεί απ' όλα τά υλικά τής αρχικά ενδιαφέρουσας αυτής συνταγής, είναι τό κρυφτούλι πού είσαι υποχρεωμένος νά παίζεις γιά νά περνάς απαρατήρητος από τούς φύλακες τού αερόστατου. Βαθμολογία: 2/5 Παρεμφερείς Τίτλοι THE LAST EXPRESS TITANIC: ADVENTURE OUT OF TIME WHY AM I DEAD AT SEA

This is a really well made mystery game with light stealth elements. The game gives you a lot of freedom in how you want to solve the game. You can even shape the backstory by talking to people. The writing is great, the graphics are great if simple. Awesome game. Definitely recommended.