A2C:Ayry seems to be playtesting a 2D runner shooter from Cci

Bir oyunu kazanarak bir ulusu kurtarabileceğiniz 2D koşu shmup'ı (vur-at) oyunudur. Koşmaya ve zıplamaya devam ederken ateş edin ve mermilerden kaçın! Ayry ve Cci'nin birbirleriyle şakalaştığı oyunu oynadığınız bir hikayenin tadını çıkarın!

A2C: Ayry seems to be playtesting a 2D runner shooter from Cci is an eccentric mixture of runner, shoot-'em-up, bullet hell, platforming, and visual novel storytelling that deliberately avoids behaving like a conventional arcade game. Developed by 虛幻旅者 and published by Imaginary Traveller, it has the unmistakable character of a small independent project in which experimentation and personality matter more than polished presentation. Its unusual premise, self-aware humor, and combination of action with conversations about game development give it an identity that is difficult to confuse with anything more commercially conventional. The central gameplay idea is straightforward but surprisingly flexible. Players move through 2D environments while continuously running, jumping over hazards, firing at enemies, and avoiding increasingly dangerous projectile patterns. It takes the immediate accessibility of an endless runner and combines it with the positioning demands of a shoot-'em-up. Instead of simply concentrating on shooting enemies, the player must consider environmental obstacles and movement at the same time. This creates hectic situations where successful play depends on recognizing bullet patterns while maintaining momentum. Bullet time provides an important counterbalance to the chaos. Slowing the action gives players more opportunity to read complicated projectile arrangements and react appropriately, making the game less intimidating for people without extensive bullet-hell experience. The mechanic also fits the game's generally playful attitude toward genre conventions. A kill counter encourages players to improve their offensive performance, while a timer provides an incentive for faster runs. These systems are relatively simple, but they give players reasons to revisit stages and improve their performance instead of treating the adventure as purely disposable. The colorful projectile effects are among the most noticeable parts of the visual presentation. At its busiest, the screen can become filled with bright bullets and rapidly changing effects. This contributes considerably to the manic arcade atmosphere, although it may be uncomfortable for players sensitive to flashing imagery. Fortunately, the game includes an option intended to reduce flashing and remove much of the RGB-heavy presentation. It is a thoughtful accessibility consideration, especially given how central intense visual effects are to the action. The narrative is arguably even stranger than the gameplay. The guardian of a nation has disappeared from work, and Ayry effectively needs to bring Cci back by playtesting a game Cci created. This produces a deliberately layered setup where the player is playing a game about a character testing another game while characters discuss that game, their fictional world, and game development itself. Ayry and Cci regularly exchange dialogue, transforming portions of the experience into something resembling a visual novel embedded inside an arcade shooter. That structure allows the writing to indulge heavily in meta humor. The game constantly acknowledges its own existence as a game and is comfortable making jokes about development, production limitations, other games, memes, and the creator's experience. The humor is intentionally chaotic rather than carefully restrained. Some players will find the constant references and fourth-wall-breaking conversations charming, while others may consider them distracting. It is nevertheless difficult to accuse the game of lacking personality. Even its roughness feels closely connected to its identity. The presentation reinforces that homemade quality. Some artwork has an intentionally modest, programmer-art appearance, and visual consistency is clearly less important than communicating ideas. Players accustomed to professionally illustrated anime games may initially find the graphics crude, but there is a certain sincerity to them. The creator does not attempt to disguise the project's limited scale. Instead, those limitations become part of the humor and personality surrounding the experience. Multiple endings add another layer to the otherwise relatively focused structure. They complement the game's fascination with narrative experimentation and encourage additional playthroughs for players interested in discovering alternate outcomes. Adjustable difficulty also helps broaden its audience, while a particularly extreme difficulty option pushes the projectile-heavy gameplay toward a substantially more demanding challenge. These features help prevent the unusual runner-shooter concept from becoming exhausted immediately. One of the game's strongest qualities is its willingness to combine ideas that would normally be separated. It can transition from frantic shooting and dodging into character conversations and then into jokes about its own creation without worrying about maintaining a conventional tone. This unpredictability is entertaining when the humor works, but it is also the source of the game's biggest weakness. Players wanting an exceptionally refined bullet hell may find the shooting comparatively modest, while visual-novel fans could consider the action intrusive. The game succeeds specifically because of the mixture rather than because any single component dominates the genre. Its free-to-play approach makes the experimental nature easier to appreciate. This feels less like a product designed around broad commercial appeal and more like a hobbyist creator sharing an unusual personal project. The result contains rough edges, uneven presentation, and deliberately ridiculous moments, yet those qualities also prevent it from feeling manufactured or generic. Steam Deck compatibility is not officially confirmed. The game is primarily listed for Windows, and its Steam information specifically indicates keyboard and mouse requirements. There is therefore no basis for describing it as Steam Deck Verified or Playable under Valve's official compatibility system. Players may potentially create custom Steam Input mappings or experiment with trackpad controls, but anyone seeking effortless handheld play should consider compatibility uncertain rather than guaranteed. Overall, this is an entertaining curiosity for players interested in unconventional indie development. The runner and shoot-'em-up combination creates a solid arcade foundation, while bullet time, scoring, difficulty options, multiple endings, colorful projectile patterns, and constant character banter provide additional variety. Its rough visuals and relentlessly meta writing will not appeal to everyone, but they are fundamental to what makes the experience memorable. Rather than chasing refinement, it embraces experimentation, absurdity, and the unmistakable personality of its creator. Rating: 8/10

I don't remember ever having seizures this hard. The gameplay is specific, but is for sure refreshing for me. Plus the dialogues are quite hillarious

This game is a challenging bullet-hell that is VIBRANT with color. The menu being interactive is so great and an awesome design choice. Lots of fun! This was covered as part of this week's episode of Free2Play Weekly: https://www.youtube.com/watch?v=-1m4-LHqPgQ&t=1264

Still a better love story than Twilight

"A2C:Ayry seems to be playtesting a 2D runner shooter from Cci" (yes that's seriously the title for this garbage, and unfortunately the developer is better at creating titles for games than they are making them) is a very poorly made 2D Flash like endless runner/shmup hybrid. There's an incredibly cringey plot about anime girls who are game developers inside the game they are developing... honestly the cringe fan-fiction elements of this are something most people would go out of their way to avoid. Which leaves the gameplay. Which is a disaster. What do you do in the game? Some of the worst, jankiest shmup/endless running on Steam, fly constantly to the right, shoot, yawn. There's a time slowdown gimmick, and frankly that's redundant... playing this game will make you feel like you're trapped in hell for eternity. So this looks like an old 1990's Adobe Flash game that you might play in a web browser, and the problem there is obviously Steam wasn't intended to try compete with Chrome and Firefox. If it can be done in a web browser, it's not even close to a cutting edge PC gaming experience. That's a problem. On the topic of visuals, the weak looking 2D retro assets seem like they'd be more at home in a browser game or a mobile app. 3D graphics accelerators hit the mainstream of PC gaming in the mid 1990's with cards like the ATI Rage and Voodoo3D, there's no excuse for such poor 2D graphics in 2026. That alone is enough to disqualify this for recommendation. Now on to pricing and value for gamers. This isn't free as the developer is charging $5 USD as "donationware", basically digital panhandling. There's an expectation he'll get paid for this. Even as a free product, this couldn't find an audience. With a peak of [b]only 4 users[/b], it's clear the Steam community took one look and walked away. They literally couldn't pay people to spend time with this. Bearing in mind that free games don't add +1 to your game collector count, should you bother adding this to your library and downloading it? Not this time. This isn't worth downloading. While this won't cost you any money, you get what you pay for, and sometimes, even when the game is free, it's still not enough.

有吸毒的動作射擊遊戲難度很高，畫面很混亂，常常搞不清楚該做什麼，但搭配上BGM後意外的還挺有趣的，喜歡挑戰的玩家可以玩玩看，反正是免費遊戲玩一次也不虧~